The texture of the meat is firm and has a bite.
This is good for 3 to 4 pax. This claypot keeps the food warm while you eat. Only mud crabs with roe are used for this dish. Although smaller crabs are used, the meaty firm flesh make up for it. You can taste the sweetness of the meat too.
Creamy cheese, the roe and the sweetness from the crabs all soaked up by the bee hoon. I like the consistency of the bee hoon as it is not overly soft and just of the right bite. The cai xin add an overall refreshing factor to mallow out the savoury broth. The cheese used in this dish is well proportioned to the other ingredients, the aromatic cheese enhances the roe infused gravy. I love cheese but not one that is overpowering. This dish has just the right balance.
This is not your usual condensed milk claypot crab bee hoon, try even if you are not a cheese lover. Without trying too hard, the chef has graced this chicken with generous roasted almond flakes that has some subtle hint of garlicky undertones.
You can wolf down a bowl of steam rice with these aromatic seasoned almond flakes. The texture of the meat is firm and has a bite. Very meaty chicken with crispy skin. Look at how the skin glistens in the light. This is the place to relive Cantonese fried chicken with salt and pepper by old school Chinese banquet restaurant.
Very rare find and highly recommended. With real barley and cubes of sweet golden pumpkin, this drink is refreshing and cooling. Thick, silky and of a good consistency. Serving is on the small side and limited quantity per day as these are homemade. Order some of these beauties when you are there. This is a good start before your mains to whet your appetite.
Large crispy fish skin heavily dusted in salted egg yolk. They should sell this in a take away bottle. A runaway heiress and her sister's husband join forces to race the latter's fast horse, Broadway Bill. Molly Kelly wants to marry a millionaire. When she runs into Andy Charles, heir to a restaurant fortune, she jumps at the chance and marries him. Andy's father if furious and disinherits A horse trainer who has fallen on hard times looks to his horse, Broadway Bill, to finally win the big race.
The naive newspaper cub Clem lands a scoop when he's sent out to cover a murder. In his enthusiasm he writes that the main suspect is Jane. When she confronts Clem she convinces him to help her prove her innocence. Foreign correspondent Pete Garvey has 5 days to win back his former fiancée, or he'll lose the orphans he adopted. Williams is a bootlegger who takes in the down-and-out Nora. Nora eventually finds herself in the middle of a gang war between Williams and his chief rival, Tiger Louie.
Harry Shelby has been kept in knee pants for years by his overprotective parents, but the day finally comes when Harry is given his first pair of long pants. Almost immediately, he is expected to marry his childhood sweetheart Priscilla Mistakenly thinking that Bebe fancies him too, Harry risks everything to help her out when she lands in jail, only to end up in hot water himself.
Through it all, sweet Priscilla waits for her man to come to his senses. It's debatable whether Frank Capra could have prolonged Harry Langdon's career much further beyond this strange effort had they not split acrimoniously. For my money, there's about thirty minutes of material stretched to twice that length here, and it looks like they were attempting to inject a little shock value to liven things up.
It might have worked back in , but there's nothing shocking today in that scene in which Harry unsuccessfully attempts to murder his bride-to-be, just something It makes you realise what an effective horror character that pancake-white baby-faced man-child would have made if he had chosen a different genre The story is as daft as they come, but there's nothing wrong with that - most comedies from the silent era have fairly nonsensical plots, and it shows an awareness of the vaguely unsettling aspect of Harry's character in that murder sub-plot.
But what it lacks are any real laughs to speak of. Combine this with a deadly tendency to stretch scenes by repeating the same moves over and over - particularly in that attempted murder scene, and when Harry attempts various tricks to lure what he believes to be a policeman but which is actually a ventriloquist's dummy away from the case in which he has hidden the woman he idolises.
Langdon had a few neat tricks, and his hesitant, childlike shyness is initially endearing, but all too soon the appeal wears thin and his material is exposed as the threadbare stuff that it really is.
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